Thomas Mohr Audio xx 2011


Thomas Mohr

In Resonance image and music form simultaneously but independently an intense audiovisual symphonic composition. It is impossible to distinguish whether the image accompanies the music or music the image, or whether the image echoes the musical score or the score echoes the image.
The interaction between the precise cyclic patterns of the image constructions based on a selection from Mohr's archive of more than 300,000 photographs and the rhythmic energy of the musical score produces a dynamic whole - a composition of expressive intensity sometimes harmonious and occasionally discordant in emotional range and modulation.
The image constructions and music of Martijn Comes alter simultaneously and constantly, the character of the piece remains unpredictable until the last note.